All things considered, there’s one thing that we can all agree on: it’s time for something new. Welcome to the Odd World, where things happen.
Odd World Music, in the shape of Ocean Grove’s debut album The Rhapsody Tapes, is a proudly invented genre that describes what happens when frontman Luke Holmes, guitarists Jimmy Hall and Matt Henley, bassist Dale Tanner, drummer / producer genius Sam Bassal and studio member Running Touch put their heads and hearts together.
The Odd World is a space where what is real and what is perceived to be real blend together, a creation of six united misfits to explain the experience of being Ocean Grove.
The Rhapsody Tapes was written and produced entirely by the band in Sam’s bedroom, allowing Ocean Grove endless creative freedom. The album breathed itself out over a series of months and shows that dumping tens of thousands of dollars on expensive producers and studios is less effective than, well, having a preternaturally talented guy (who was just 19 at the time) in the band who can do everything.
Both a self-contained statement on and expression of what’s inside their heads, The Rhapsody Tapes – sonically and visually – was constructed in minute detail by the Ocean Grove collective, with no outside interference whatsoever. Every inch of the artwork, every note of music. Because that’s how the Odd World grows: in the shadows, bravely.
There was no moment of conception for Ocean Grove; at one point they didn’t exist and then all of a sudden they did. With friendships within the band stretching back a decade- plus, they coagulated around shared ideas of art and performance and life. They grew together and treated every morsel of life as more fuel for their fire, expressed on two EPs, first 2013’s ‘Outsider’ and then 2015’s ‘Black Label’, the latter re-released in 2016 as the Sublime Edition with the addition of breakout anthem ‘Lights On Kind Of Lover’.